Gussy up that trash-strewn concrete cesspool
From The Los Angeles Times
February 22, 2006
By Philip Enquist and Craig Webb,
PHILIP ENQUIST is a partner in Urban Design
at Skidmore, Owings & Merrill in Chicago. CRAIG WEBB is a partner at Frank
O. Gehry Partners in Los Angeles.
FOR THE SHEER POSSIBILITIES of renewing dead-ended
neighborhoods, opening fenced-off Mars-scapes and providing immense
environmental, cultural and recreational benefits, few projects in the world
match the potential of an ecology-minded and people-centric revitalization of
the Los Angeles River.
Consider those "once-in-a-century" urban waterside projects that
have defined the character and fabric of so many of the world's great cities.
Daniel Burnham's Downtown Chicago Plan, which celebrates its centenial in
2008, transformed Chicago's lakeshore into one of America's most
architecturally beloved and recreationally rich downtown districts.
In a similar way, the 1910 City Beautiful Plan helped Orlando, Fla., retain
its downtown lakeside heart, and it gave the city an ongoing unity of
architectural purpose. More recently, Tempe's Town Lake development in
Arizona, Chattanooga's Riverfront District in Tennessee, San Antonio's River
Walk in Texas, Hartford's Adriaen's Landing in Connecticut, Shanghai's Huangpu
River redevelopment and similar plans have helped open decaying waterfronts to
enlivening and civically healing uses, including the reconnection of fractured
streets and isolated neighborhoods.
Truth in advertising: Our firms took part in a 2005 request for proposals to
transform 32 miles of the L.A. River into what would be a multipurpose linear
greenway running virtually the entire length of the city. Our proposal wasn't
chosen. We were, however, so taken by the project's potential to serve as a
grand civic unifier that we want to add our voices to those arguing that, with
a balance of advanced engineering and imaginative planning, the L.A. River can
be of comparable civic worth to, say, New York's Central Park, Chicago's Grant
Park or Washington's Rock Creek Park.
G.J. Griffith's 1896 gift of 3,000 acres to Los Angeles included not only what
is today's Griffith Park but also five miles of riverside acreage for creation
of a grand riverfront park. It is now mostly freeway. And most of the Los
Angeles River and its tributaries are nature-taming concrete storm drains,
sites that have become iconic symbols of a man-made wasteland. As you travel
down the river, there are stretches that are little more than repositories for
discarded auto tires or backdrops for filmic car chases.
Thanks, however, are due to groups such as the Friends of the Los Angeles
River, California Native Plant Society and Unpave L.A., whose creative
proposals, educational programs and pilot cleanup and replanting efforts are
all working toward a comprehensive, long-term program on the scale and scope
of Chicago's Burnham Plan.
The overall L.A. River project is going to be a complex undertaking that will,
like the Chicago plan, take most of a century to complete. Over time, it will
need to include the "regreening" of dozens of miles of riverbank
with native trees, grasses and shrubs, as well as the building of new types of
user-friendly riverbanks. These thousands of new acres of green will enable
the city to do its part to retard global warming.
Alongside the river or, perhaps as some plans have suggested, elevated above
it, jogging, biking and skating paths would connect the entire length of the
project. This would enable bicyclists to travel between Pasadena and downtown
Los Angeles at speeds comparable to or faster than today's auto commute.
Interspersed along this green thoroughfare would be mixed-use developments,
schools, museums, art installations and cultural centers. These elements are
critical to strengthening the connection between the river and the communities
that now coexist so uneasily alongside.
In Burbank, for example, the Walt Disney Co. has built its Imagineering
headquarters virtually up to the riverside's fencing.
Imagine if Disney was encouraged to integrate a campus into the newly planted
and landscaped banks of a revivified section of the river. Even in its most
industrial stretches, structures such as the beaux-arts 4th Street and Macy
Street bridges stand as monuments that, if properly integrated, could become
beckoning gateways to new riverfront communities.
It is probably inherent in human DNA to seek out and be near the water. This
would explain why, along the banks of the Los Angeles River, the fences that
wall off streets in Encino, Sherman Oaks and Frogtown have been cut open and
graffitied in an ad hoc attempt to reconnect both with the river and nearby
neighborhoods.
Art projects such as the "LA Rivercats" painted on storm-drain
covers north of Los Feliz are also part of the natural desire by Angelenos to
reclaim their river for themselves and posterity. These examples of riverine
folk art are signals that innovative new programs need to be put into place to
revivify and regenerate the L.A. River, transforming it from a concrete water
slide into an ecological watercourse that ties together Los Angeles in a lush
ribbon of green.
Los Angeles elected a new mayor, Antonio Villaraigosa, in part because of his
eloquent vision of what the city can become. What better way to begin
fulfilling that vision than through planning to make the L.A. River a civic
asset and a global model for how a city can reclaim its open space and its
heritage.